Posts Tagged ‘script’

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CHAMPION SCREENWRITING COMPETITION 2009 – open for entries

July 7, 2009

In the Spotlight this week is the CHAMPION SCREENWRITING COMPETITION (CSC), a Los Angeles-based competition championing the careers of promising screenwriters. Presented by A-List Screenwriting and renowned consultant and teacher Jim Mercurio, CSC declares, “Winning is just the beginning.”

CSC grants more than $20,000 USD worth of cash and prizes, and works hard to establish its winners as tomorrow’s working screenwriters. To this end, the lucky winners work with a marketing consultant, script consultant, career coach, and proofreader to hone current and future scripts to get them picture-perfect. CSC has partnered with some of the nation’s best-known consultants including Pilar Alessandra, Julie Marsh, Julie Gray, and “Breakfast with Sharks” author and ON THIN ICE writer, Michael Lent.

The top three scripts will also be presented to numerous production companies, agencies, and management companies for consideration. There are special awards for semifinalists, as well as for short scripts and low budget horror screenplays. All submitters receive a 50% discount to PitchQ, and winners receive free video pitches through the service.

UPCOMING DEADLINE
July 15, 2009 – Late Deadline

MISSION AND OBJECTIVE
The mission of the Champion Screenwriting Competition is to champion its winning writers, prepare them for Hollywood, and work toward establishing their careers by taking their work from the top of the competition to the top of Hollywood producers’ reading piles.

MORE ABOUT THE FESTIVAL
CSC founder Jim Mercurio has himself vetted more than 8,000 feature screenplays and awarded more than $250,000 in cash and prizes in screenwriting contests. One such success story is writer Brian Watanabe, whose award-winning script helped Watanabe secure representation and funding for his project, which eventually became ROGUE’S GALLERY, starring Zach Galifianakis, Ving Rhames, Ellen Barkin, and Maggie Q.

Mercurio ran the Expo Screenplay Competition during its first six years and is dedicated to growing CSC into one of the world’s largest screenwriting contests that can devote time, money, resources and the support of several talented mentors to change the lives of aspiring writers. He has also taught screenwriting to thousands of writing students, and has clients ranging from beginners to Oscar-nominated writers to A-list filmmakers. He has helped many contest winners get their first paid writing assignments and the attention of the industry.

PRICES WITH WITHOUTABOX DISCOUNT
Early Bird (4/27)
Regular Deadline (6/1)
Late  (7/15)
Wab Ext 8/3
Screenplay (feature-length)
$40
$45
$50
$55
Screenplay (feature-length) with Coverage
$60
$65
N/A
N/A
Screenplay (feature-length) Resubmission
N/A
N/A
$35
$35
Screenplay (short)
$20
$20
$25
$30

PRIZES

GRAND PRIZE

$2500 Cash
Script Coaching package for script of choice, which includes Development Notes from Julie Marsh as well as additional rounds of feedback.
1 year video membership with PitchQ.com
A half-day confidential pitch Coaching Session and taping of a Video Pitch to post on PitchQ.com
A-List Screenwriting: The Immersion (formerly Killer Screenwriting)
Proofreading from David Gillis
2 Career Coaching sessions with Choose Change’s Rhona Berens
Career or pitching chat with Michael Lent, author of Breakfast with Sharks and writer of the new Disney/Hyperion On Thin Ice.
Script will be read by 50 companies.

SECOND PLACE

$1000 Cash
Script Coaching package for script of choice, which includes Development Notes from Julie Gray as well as additional rounds of feedback.
1 Year video Membership with PitchQ.com
A two hour pitch coaching session with a professional Video Pitch to post on PitchQ.com
A-List Screenwriting: The Immersion (formerly Killer Screenwriting)
“Breaking the Story” session (90 minutes) with Pilar Alesandra
1 Career Coaching session with Choose Change’s Rhona Berens
Proofreading from David Gillis
Script will be read by 50 companies.

THIRD PLACE

$500 Cash
Development notes
1 Year video Membership with PitchQ.com
A two hour pitch coached Pitch session with a professional Video Pitch to post on PitchQ.com
A-List Screenwriting: The Immersion (Formerly Killer Screenwriting)
Proofreading from David Gillis
1 Career Coaching session with Choose Change’s Rhona Berens
Career or pitching chat with Jim Mercurio
Script will be read by 50 companies.

LOW BUDGET HORROR PRIZE

$500 CASH or a writing deal on a micro-budgeted straight-to-DVD horror film. Stay tuned.

5 FEATURE SEMIFINALISTS

6-month video membership with PitchQ.com.
A one hour coached pitch session with a professionally recorded Video Pitch to Post on PitchQ.com
A-list Screenwriting: The Lecture

QUARTERFINALISTS

All 25-100 Quarterfinalists will receive an opportunity for a free 3-month text membership with Pitch Q.com.

EVERYONE WHO ENTERS

All entrants will receive a special code which will allow them to receive a 50% discount on a PitchQ.com subscription.

SHORTS WINNERS
FIRST PLACE – SHORT SCREENPLAY

$1000 cash
Set of development, producing and directing notes.

SECOND PLACE – SHORT SCREENPLAY
$500

RULES

RULES of the Champion Screenwriting Competition

The following rules govern the submission of all material(s) to the Champion Screenwriting Competition, and each submitting writer agrees to abide by them (“Rules”):

All submitting writers must be 18 years of age or older (and able to prove it if required to do so).

Feature Screenplays must:

* be written and submitted in English;
* be an original and unproduced script that has not been optioned and to which the writer(s) retain(s) all rights, from the time of submission until the announcement of the winning script(s); be between 90 and 130 pages in length;
* have numbered pages; and
* be in industry-standard screenplay format

Short Screenplays must:

* be written and submitted in English;
* be an original and unproduced script that has not been optioned and to which the writer(s) retain(s) all rights, from the time of submission until the announcement of the winning script(s); be less than or equal to 15 pages in length;
* have numbered pages; and
* be in industry-standard screenplay format

Screenplays in any genre are accepted.

Adaptations are not accepted.

Only electronic copies of scripts submitted through Withoutabox with a valid credit card payment will be accepted. Please do not send a hard copy of any screenplay

Only screenplay submissions in Final Draft, Movie Magic, PDF, RTF, DOC and Word file formats are acceptable.

Multiple submissions – i.e., submissions of more than one different script – are accepted so long as each separate submission is accompanied with a separate application and entry fee.

Writer(s) may submit only one copy, draft or version of any single screenplay, (i.e., the same script can’t be submitted more than once, or one that is basically similar to another being submitted, even if a different title or author name were to appear the cover of a similar script). Warning: Any attempts to submit the same or similar scripts under different titles or different author names will result, if discovered, in the immediate disqualification of all entries by the submitting writer(s) with no possibility of any refunded payment(s).

After the submission of any script(s), no subsequent substitutions – of either corrected pages or new drafts of the entry screenplays – shall be allowed, except for scripts that are initially submitted in the “Screenplay (Feature) with Coverage” category, which may then subsequently be resubmitted in the “Screenplay (feature) Resubmission Category.” Once a script is validly resubmitted, only the most recent draft will remain in consideration for the competition prizes. If the original submission advanced to the Quarterfinalist round, the resubmitted script will automatically be placed in the Quarterfinalist round. It is not a requirement that if a script uses the coverage service, it also then has to be resubmitted.

Collaborative work undertaken by two writers is eligible for submission. Collaborative work by three or more writers is not eligible for submission. All prizes will be automatically split 50-50 by collaborators. If a submitted work has two authors, the names of both authors must appear on the submitted work and application.

Entering the competition constitutes permission for us from the submitting writer(s) to, as we see fit (a) use (or not use as we sit) finalists’ names and likenesses for publicity and promotions with no additional compensation, and (b) publicize and promote the progress, development and success of the entered script(s).

Partners, affiliated members, sponsors employees of Champion Screenwriting Competition or of A-List Screenwriting LLC, and any members of the immediate families of these entities, are not eligible to compete in this contest, nor are competition judges and their immediate families.

No applicant may have earned more than $10,000 in cash or other consideration (combined) as a screenwriter for theatrical films or television, or for the sale of, or sale of an option to, any original story, treatment, screenplay or teleplay. Applicants also may not have received, between the time period between the submission of their script and the final announcement of winners, a screenwriting fellowship or prize which includes a “first look” clause, an option or any other quid pro quo involving the work of any submitting writer(s).

The decisions of the judge(s) of the Champion Screenwriting Competition are final and not subject to dispute.

The Champion Screenwriting Competition reserves the right to substitute prizes for other prizes of equal monetary value and to extend the final deadline.

The Champion Screenwriting Competition will disqualify scripts and/or any writer(s) for not adhering to these Rules. No refund(s) will be issued for any disqualified scripts or writer(s). The Champion Screenwriting Competition reserves the right to remove submitted material from the competition with or without cause and the writer(s) will be notified. If without cause, the entry fee alone may be refunded.

In an effort to make a contribution toward a better environment, the Champion Screenplay Competition is a paperless contest. We only accept scripts and payments electronically through Withoutabox. All submission payments must be made by credit card in US dollars. Please do not mail scripts or payments, as such scripts shall not be returned nor such payments accepted/credited.

All monetary prizes will be paid in US dollars. The winners of time spent with consultants, coaches and mentors and/or industry professionals agree to work within the schedule and time constraints of the professionals who are donating their time.

All participants will be automatically registered to the Champion Screenwriting Competition’s email Updates list and A-List Screenwriting’s Career & Craft, a free e-newsletter. Clear instructions on how to unsubscribe are available in every email we send.

It is suggested to all submitting writer(s), for their own protection, that prior to submission they register their materials with either the WGA or the US Copyright Office.

All submissions must be processed through Withoutabox and adhere to the submission process and procedures, and anyone submitting scripts agrees to fully abide by any and all Champion Screenwriting Competition rules.
CHAMPION SCREENWRITING COMPETITION RELEASE STATEMENT TO WHICH EVERYONE SUBMITTING ANY SCRIPT(S) MUST AGREE TO ADHERE

By submitting any script(s) (“Material”) to the Champion Screenwriting Competition (“CSC”) for evaluation/judging by CSC and its employees, affiliates, partners and/or sponsors (individually or collectively, “CSC Associate(s)”), each submitting writer (who may or may not be one of two joint authors of the Material, hereafter “Writer”) agrees to and understands the following terms and conditions of this Release Form Agreement (“Agreement”) as well as rules of the screenwriting competition (“Rules”).

1. Because of CSC’s position in the entertainment industry: (a) CSC and CSC Associates receive many ideas, formats, stories, suggestions and other materials which CSC does not solicit or otherwise request; (b) CSC and CSC Associates would not accept this Material, consider or review the material without Writer agreeing to these terms and conditions; and (c) no confidential or professional relationships, including without limitation a partnership, agency, employer/employee or joint venture, is established between Writer and CSC and/or CSC Associates.
2. Writer will not hold CSC responsible if the Material is accidentally lost, misplaced, damaged or destroyed, in whole or in part, and agrees only to send a copy, not the original, of any Material, to CSC.
3. Licenses from Writer to CSC So Writer May Submit and Compete
A)Writer is not waiving, and this Agreement will not in any way limit any intellectual property rights (including copyright rights) that Writer may have in the Material. Writer hereby grants CSC and any CSC Associates a limited nonexclusive worldwide license to use, copy and display the Material for the purpose of evaluating it for coverage, judging it in the screenwriting competition, and/or, at CSC’s sole option, publicizing scripts or their associated screenwriters that have had some success in the competition; provided however that: (1) CSC shall only provide the Materials to: (a) CSC Associates; (b) industry professionals (i.e., agents, people at production companies, etc.) that may have expressed, to CSC or a CSC Associate, interest in Writer and the Material; and/or (c) industry professionals that CSC, in its sole discretion and judgment, otherwise believes might perhaps be helpful in advancing Writer’s screenwriting career; and (2) CSC shall never display online, nor provide to any publication to publish, Writer’s screenplay in its entirety. (B) Notwithstanding the foregoing, Writer hereby grants to CSC a limited nonexclusive worldwide license to post online, and/or to publish (or provide for publication), in a newspaper or periodical of CSC’s choice: (1) the Material’s logline; (2) a brief synopsis of the Material; or (3) a portion of the Material chosen solely by CSC that is a small percentage of the overall entire submitted screenplay yet nevertheless is, in CSC’s sole judgment and discretion, large enough to serve as a sample of the script’s overall quality and/or Writer’s writing talent. (C) Other than as licensed herein, CS will not use the Material or any part thereof unless Writer: (1) enters into an agreement granting CSC rights to the material; or (2) CSC determines in good faith that Writer does not own or control the Material because features or elements were independently developed by someone other than Writer.
4. Writer understands and agrees that CSC and CSC Associates may use in any fashion, no matter how similar to the Material and/or any elements or aspects thereof, any works that are: (a) independently developed by CSC or any CSC Associates without reference to the Material; (b) otherwise made available to CSC by some third party; (c) neither original with Writer(s), nor new, unique, concrete, novel; and/or (d) in the public domain (individually or collectively, the “Works”).
5. Writer releases CSC and CSC Associates from any and all liability to Writer for the use by CSC or any CSC Associates of any Works, or the use of the Material according to the license grant in Section 3 above, and Writer agrees not to sue CSC or any CSC Associates or bring any action or proceeding against CSC or CSC Associates for CSC or any CSC Associates for (a) using any such Works; (b) using the Material according to the license grant; and/or (c) failing to compensate Writer(s) for CSC’s use of the Material, unless CSC had otherwise agreed in writing with Writer(s) to do so; CSC and/or CSC Associates are entitled to an injunction or other equitable remedy if Writer brings such a suit, action or proceeding against them.
6. Writer represents and warrants that: (a) the Material is original to Writer, who has the full and exclusive right to submit the Material to CSC; (b) Writer knows of no dispute related to or associated with the Material; (c) Writer shall fully comply with any and all Rules and the terms and conditions of this Agreement; and (d) Writer will fully indemnify and hold CSC or any CSC Associate harmless if Writer incurs any losses, damages or expenses (including, without limitation, lawyers’ fees and expenses) due to (i) Writer’s breach of any of the Rules or terms and conditions of this Agreement; (ii) any or all of the representations or warranties of Writer in this Agreement not being true or having been made in bad faith; (iii) claims by any person, firm or corporation that any or all of Writer’s statements, representations or warranties in this Agreement are not true; (iv) the possession or licensed use by CSC, or any CSC Associate, of the Material; and/or (v) any claim by a third party that the Material or any aspect thereof violated, breached or infringed any intellectual property rights (including without limitation any rights related to copyrights, trademarks, trade secrets, publicity, or patents) of such third party or that the Material or any aspect thereof was defamatory, obscene or otherwise illegal.
7. Writer understands that the nonperformance of any party shall be excused to the extent that performance is rendered impossible by strike, fire, flood, earthquakes, war, governmental acts or orders or restrictions, acts of God, or any other reason where failure to perform is beyond the reasonable control, and not caused by the negligence of, the non-performing party.
8. Writer understands that all federal, state and local laws and regulations apply. All taxes (including, without limitation, federal, state, and local taxes) on or connected with any prize, and the reporting consequences thereof, are the sole and exclusive responsibility of respective winners. All winners will be responsible for their own U.S. income tax withholding.
9. Writer hereby grants CSC the nonexclusive right to use Writer’s name, photograph, and likeness in connection with any and all promotional activities without any additional compensation. Each winner must, if so requested by CSC, complete CSC’s winner verification process and/or execute an Affidavit of Eligibility and a Liability/Publicity Release within a reasonable period of time if so required by CSC.
10. If more than one writer enters this contest, references to the submitting party as Writer, Writers or Writer(s) throughout this Agreement shall apply to each such party, jointly and severally. Any headings used in this Agreement are intended for convenience only. They are not a part of the written understanding between the parties and shall not be deemed to affect the construction and interpretation of this Agreement.
11. Writer may not assign Writer’s rights and/or obligations pursuant to this Agreement, in whole or part, without the prior written consent of CSC; provided, however, that all such assignees, licensees or successors-in-interest shall assume, via a written instrument, the original party’s duties to comply with the terms herein.
12. The failure to exercise any right provided in this Agreement shall not be a waiver of prior or subsequent rights.
13. If any provision of this Agreement is invalid under applicable statute or rule of law, it is to be considered omitted and the remaining provisions of this Agreement shall in no way be affected.
14. Writer agrees to notify CSC of any address change by email within a reasonable time of moving.
15. The parties agree that every dispute or difference between them, arising under this Agreement, shall be settled first by a meeting of the parties attempting to confer and resolve the dispute in a good faith and timely manner.
16. In no event will CSC or any CSC Associates be liable under the rules or this agreement for any kind of damages other than actual, direct and provable damages (i.e., consequential, special, statutory, indirect, or incidental), regardless of whether characterized as arising from breach of contract, warranty, tort (including negligence), strict liability, breach of warranties, failure of essential purpose or otherwise, even if advised of the possibility of such loss or damage, or if such loss or damage is foreseeable.
17. Each Writer agrees that they have read and understand this Agreement and the Rules. This Agreement and the Rules together state and constitute the entire agreement between Writer(s) and CSC and supersedes (if any) all prior and contemporaneous representations, agreements and understandings, whether written or oral.
18. This Agreement shall be governed by the laws of California, exclusive of its conflict of law rules. The courts located in Los Angeles, California (federal or state, as applicable) shall have exclusive jurisdiction over all disputes arising hereunder.

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Silver Sword Entertainment – Fantasy Scripts for an Actress

May 1, 2009

We are looking for completed feature-length “magical realism” scripts – i.e. something in the vein of “The Curious Case of Benjamin Button” or “Big Fish.” Submissions should be for character-driven material, where there are elements of fantasy and/or spirituality present, but not so much as to overpower the story. Please do not submit anything with ghosts, vampires, or other characters/elements from beyond the grave, as we are not looking for supernatural stories; what we’re looking for are stories with real characters in fantastic situations. And please be advised that this is for an actress in her early 40s, so please only submit if one of your lead characters is specifically for an actor like Julianne Moore or Joan Allen.

WGA and non-WGA writers may submit. Budget will not exceed $5 million.

We are a relatively new production company with partial financing already in place.

To submit to this lead, please go to:
http://www.inktippro.com/leads/

Enter your email address.

Copy/Paste this code: tcqsstxxwy

NOTE: Please only submit your work if it fits what the lead is looking for exactly. If you aren’t sure if your script fits, please ask InkTip first.

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Review your script

October 22, 2008

You can get reviews for your scripts.

I strongly recommend TriggerStreet.com
It has a great community of scriptwriters, producers, editors, reviewers, etc. You can upload your script there BUT first you need to review 3 script. After you make the reviews you can upload the script and you will start to get reviews for it.

Or… if you want to pay for my time you can get a script review in one week.
Once the money transfer is completed I will ask for the script and start working on the review.

If you don’t have a paypal account you can create one in a few minutes. Just use the banner below.

Sign up for PayPal and start accepting credit card payments instantly.

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Promote yourself or your work

July 12, 2008

Please use this link: here to say anything you want about yourself or your work.

Who knows who reads this blog…
And who knows what may happen…

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Steinberg Talent Management Group

July 8, 2008

Steinberg Talent Management Group

Please visit their website for complete informations.

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Linda Seifert Management

July 8, 2008

Linda Seifert Management is a London-based management company representing writers, directors and producers for film, television and radio. Our outstanding client list ranges from the highly established to the new and exciting emerging talent of tomorrow.

The creative team of Linda Seifert, Ed Hughes and Vicky Crompton have an extensive knowledge of the film and television industries and offer a thorough and individual service, which includes everything from script development to format/deal negotiation.

The agency is highly regarded in the industry for its proactive approach in developing relationships within the field, with both UK-based and international producers, financiers and broadcasters.

Please visit website for submission policy.

Contact: contact@lindaseifert.com

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Fifi Oscard Agency

July 8, 2008

Fifi Oscard Agency

Please visitthe site for complete informations about the agency.

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The Orange Grove Group

July 8, 2008

The Orange Grove Group, Inc. was incorporated in California during September of 1986 as a company whose primary focus was management consulting to small business. Other activities included the optioning of literary material for development into feature film and television projects. On September 15, 1993, The Orange Grove Group transitioned itself into a full-service talent and literary agency (State of California License TA-40311-1 ) representing/packaging acting, writing, and directing talent for film, television, and theatre. Guild franchises held include SAG, AFTRA, AEA, WGA, and DGA.

Gregory D. Mayo is the President and Founder of The Orange Grove Group. Prior to the establishment of this agency, Mr. Mayo served in the capacity of Vice-President, National Sales & Marketing Manager, and Consultant/Strategist for several large manufacturing and distribution companies. Mr. Mayo holds an MBA from Pepperdine University, BA from Denison University, and did graduate work at The George Washington University. Professional associations include Who’s Who In California, Who’s Who In Executives & Professionals, Pepperdine Management Partners, American Film Institute, Academy of Television Arts & Sciences, and The Thalians.

Email : agent@orangegrovegroup.com

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Kaplan Stahler Gumer Braun Agency

July 8, 2008

Kaplan Stahler Gumer Braun Agency

Please visit their website to find out more about this agency and also to find out the contact details.

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Foursight Entertainment

July 8, 2008

Foursight Entertainment was formed in October 1999 by four USC undergraduate film students, working directly out of their shared one-bedroom college dormitory. Eight years later the company has expanded to represent approximately twenty-five writers, directors, and talent for film and television. Recent Foursight client credits include Pirates of Caribbean I, II, and III, The Terminal, The Messengers, Child’s Play I-V, HBO’s Entourage, and The Shield on FX. The company has been profiled in Variety, Hollywood Reporter, USA Today, Los Angeles Times, CNN, and MTV.

Today Foursight is comprised of three partners – Jeremy Bell, George Heller, Michael Lasker – and associate Brent Lilley. Foursight is based in Beverly Hills.

Submissions

Please email queries to: info@foursight.com