Posts Tagged ‘2009’

h1

CHAMPION SCREENWRITING COMPETITION 2009 – open for entries

July 7, 2009

In the Spotlight this week is the CHAMPION SCREENWRITING COMPETITION (CSC), a Los Angeles-based competition championing the careers of promising screenwriters. Presented by A-List Screenwriting and renowned consultant and teacher Jim Mercurio, CSC declares, “Winning is just the beginning.”

CSC grants more than $20,000 USD worth of cash and prizes, and works hard to establish its winners as tomorrow’s working screenwriters. To this end, the lucky winners work with a marketing consultant, script consultant, career coach, and proofreader to hone current and future scripts to get them picture-perfect. CSC has partnered with some of the nation’s best-known consultants including Pilar Alessandra, Julie Marsh, Julie Gray, and “Breakfast with Sharks” author and ON THIN ICE writer, Michael Lent.

The top three scripts will also be presented to numerous production companies, agencies, and management companies for consideration. There are special awards for semifinalists, as well as for short scripts and low budget horror screenplays. All submitters receive a 50% discount to PitchQ, and winners receive free video pitches through the service.

UPCOMING DEADLINE
July 15, 2009 – Late Deadline

MISSION AND OBJECTIVE
The mission of the Champion Screenwriting Competition is to champion its winning writers, prepare them for Hollywood, and work toward establishing their careers by taking their work from the top of the competition to the top of Hollywood producers’ reading piles.

MORE ABOUT THE FESTIVAL
CSC founder Jim Mercurio has himself vetted more than 8,000 feature screenplays and awarded more than $250,000 in cash and prizes in screenwriting contests. One such success story is writer Brian Watanabe, whose award-winning script helped Watanabe secure representation and funding for his project, which eventually became ROGUE’S GALLERY, starring Zach Galifianakis, Ving Rhames, Ellen Barkin, and Maggie Q.

Mercurio ran the Expo Screenplay Competition during its first six years and is dedicated to growing CSC into one of the world’s largest screenwriting contests that can devote time, money, resources and the support of several talented mentors to change the lives of aspiring writers. He has also taught screenwriting to thousands of writing students, and has clients ranging from beginners to Oscar-nominated writers to A-list filmmakers. He has helped many contest winners get their first paid writing assignments and the attention of the industry.

PRICES WITH WITHOUTABOX DISCOUNT
Early Bird (4/27)
Regular Deadline (6/1)
Late  (7/15)
Wab Ext 8/3
Screenplay (feature-length)
$40
$45
$50
$55
Screenplay (feature-length) with Coverage
$60
$65
N/A
N/A
Screenplay (feature-length) Resubmission
N/A
N/A
$35
$35
Screenplay (short)
$20
$20
$25
$30

PRIZES

GRAND PRIZE

$2500 Cash
Script Coaching package for script of choice, which includes Development Notes from Julie Marsh as well as additional rounds of feedback.
1 year video membership with PitchQ.com
A half-day confidential pitch Coaching Session and taping of a Video Pitch to post on PitchQ.com
A-List Screenwriting: The Immersion (formerly Killer Screenwriting)
Proofreading from David Gillis
2 Career Coaching sessions with Choose Change’s Rhona Berens
Career or pitching chat with Michael Lent, author of Breakfast with Sharks and writer of the new Disney/Hyperion On Thin Ice.
Script will be read by 50 companies.

SECOND PLACE

$1000 Cash
Script Coaching package for script of choice, which includes Development Notes from Julie Gray as well as additional rounds of feedback.
1 Year video Membership with PitchQ.com
A two hour pitch coaching session with a professional Video Pitch to post on PitchQ.com
A-List Screenwriting: The Immersion (formerly Killer Screenwriting)
“Breaking the Story” session (90 minutes) with Pilar Alesandra
1 Career Coaching session with Choose Change’s Rhona Berens
Proofreading from David Gillis
Script will be read by 50 companies.

THIRD PLACE

$500 Cash
Development notes
1 Year video Membership with PitchQ.com
A two hour pitch coached Pitch session with a professional Video Pitch to post on PitchQ.com
A-List Screenwriting: The Immersion (Formerly Killer Screenwriting)
Proofreading from David Gillis
1 Career Coaching session with Choose Change’s Rhona Berens
Career or pitching chat with Jim Mercurio
Script will be read by 50 companies.

LOW BUDGET HORROR PRIZE

$500 CASH or a writing deal on a micro-budgeted straight-to-DVD horror film. Stay tuned.

5 FEATURE SEMIFINALISTS

6-month video membership with PitchQ.com.
A one hour coached pitch session with a professionally recorded Video Pitch to Post on PitchQ.com
A-list Screenwriting: The Lecture

QUARTERFINALISTS

All 25-100 Quarterfinalists will receive an opportunity for a free 3-month text membership with Pitch Q.com.

EVERYONE WHO ENTERS

All entrants will receive a special code which will allow them to receive a 50% discount on a PitchQ.com subscription.

SHORTS WINNERS
FIRST PLACE – SHORT SCREENPLAY

$1000 cash
Set of development, producing and directing notes.

SECOND PLACE – SHORT SCREENPLAY
$500

RULES

RULES of the Champion Screenwriting Competition

The following rules govern the submission of all material(s) to the Champion Screenwriting Competition, and each submitting writer agrees to abide by them (“Rules”):

All submitting writers must be 18 years of age or older (and able to prove it if required to do so).

Feature Screenplays must:

* be written and submitted in English;
* be an original and unproduced script that has not been optioned and to which the writer(s) retain(s) all rights, from the time of submission until the announcement of the winning script(s); be between 90 and 130 pages in length;
* have numbered pages; and
* be in industry-standard screenplay format

Short Screenplays must:

* be written and submitted in English;
* be an original and unproduced script that has not been optioned and to which the writer(s) retain(s) all rights, from the time of submission until the announcement of the winning script(s); be less than or equal to 15 pages in length;
* have numbered pages; and
* be in industry-standard screenplay format

Screenplays in any genre are accepted.

Adaptations are not accepted.

Only electronic copies of scripts submitted through Withoutabox with a valid credit card payment will be accepted. Please do not send a hard copy of any screenplay

Only screenplay submissions in Final Draft, Movie Magic, PDF, RTF, DOC and Word file formats are acceptable.

Multiple submissions – i.e., submissions of more than one different script – are accepted so long as each separate submission is accompanied with a separate application and entry fee.

Writer(s) may submit only one copy, draft or version of any single screenplay, (i.e., the same script can’t be submitted more than once, or one that is basically similar to another being submitted, even if a different title or author name were to appear the cover of a similar script). Warning: Any attempts to submit the same or similar scripts under different titles or different author names will result, if discovered, in the immediate disqualification of all entries by the submitting writer(s) with no possibility of any refunded payment(s).

After the submission of any script(s), no subsequent substitutions – of either corrected pages or new drafts of the entry screenplays – shall be allowed, except for scripts that are initially submitted in the “Screenplay (Feature) with Coverage” category, which may then subsequently be resubmitted in the “Screenplay (feature) Resubmission Category.” Once a script is validly resubmitted, only the most recent draft will remain in consideration for the competition prizes. If the original submission advanced to the Quarterfinalist round, the resubmitted script will automatically be placed in the Quarterfinalist round. It is not a requirement that if a script uses the coverage service, it also then has to be resubmitted.

Collaborative work undertaken by two writers is eligible for submission. Collaborative work by three or more writers is not eligible for submission. All prizes will be automatically split 50-50 by collaborators. If a submitted work has two authors, the names of both authors must appear on the submitted work and application.

Entering the competition constitutes permission for us from the submitting writer(s) to, as we see fit (a) use (or not use as we sit) finalists’ names and likenesses for publicity and promotions with no additional compensation, and (b) publicize and promote the progress, development and success of the entered script(s).

Partners, affiliated members, sponsors employees of Champion Screenwriting Competition or of A-List Screenwriting LLC, and any members of the immediate families of these entities, are not eligible to compete in this contest, nor are competition judges and their immediate families.

No applicant may have earned more than $10,000 in cash or other consideration (combined) as a screenwriter for theatrical films or television, or for the sale of, or sale of an option to, any original story, treatment, screenplay or teleplay. Applicants also may not have received, between the time period between the submission of their script and the final announcement of winners, a screenwriting fellowship or prize which includes a “first look” clause, an option or any other quid pro quo involving the work of any submitting writer(s).

The decisions of the judge(s) of the Champion Screenwriting Competition are final and not subject to dispute.

The Champion Screenwriting Competition reserves the right to substitute prizes for other prizes of equal monetary value and to extend the final deadline.

The Champion Screenwriting Competition will disqualify scripts and/or any writer(s) for not adhering to these Rules. No refund(s) will be issued for any disqualified scripts or writer(s). The Champion Screenwriting Competition reserves the right to remove submitted material from the competition with or without cause and the writer(s) will be notified. If without cause, the entry fee alone may be refunded.

In an effort to make a contribution toward a better environment, the Champion Screenplay Competition is a paperless contest. We only accept scripts and payments electronically through Withoutabox. All submission payments must be made by credit card in US dollars. Please do not mail scripts or payments, as such scripts shall not be returned nor such payments accepted/credited.

All monetary prizes will be paid in US dollars. The winners of time spent with consultants, coaches and mentors and/or industry professionals agree to work within the schedule and time constraints of the professionals who are donating their time.

All participants will be automatically registered to the Champion Screenwriting Competition’s email Updates list and A-List Screenwriting’s Career & Craft, a free e-newsletter. Clear instructions on how to unsubscribe are available in every email we send.

It is suggested to all submitting writer(s), for their own protection, that prior to submission they register their materials with either the WGA or the US Copyright Office.

All submissions must be processed through Withoutabox and adhere to the submission process and procedures, and anyone submitting scripts agrees to fully abide by any and all Champion Screenwriting Competition rules.
CHAMPION SCREENWRITING COMPETITION RELEASE STATEMENT TO WHICH EVERYONE SUBMITTING ANY SCRIPT(S) MUST AGREE TO ADHERE

By submitting any script(s) (“Material”) to the Champion Screenwriting Competition (“CSC”) for evaluation/judging by CSC and its employees, affiliates, partners and/or sponsors (individually or collectively, “CSC Associate(s)”), each submitting writer (who may or may not be one of two joint authors of the Material, hereafter “Writer”) agrees to and understands the following terms and conditions of this Release Form Agreement (“Agreement”) as well as rules of the screenwriting competition (“Rules”).

1. Because of CSC’s position in the entertainment industry: (a) CSC and CSC Associates receive many ideas, formats, stories, suggestions and other materials which CSC does not solicit or otherwise request; (b) CSC and CSC Associates would not accept this Material, consider or review the material without Writer agreeing to these terms and conditions; and (c) no confidential or professional relationships, including without limitation a partnership, agency, employer/employee or joint venture, is established between Writer and CSC and/or CSC Associates.
2. Writer will not hold CSC responsible if the Material is accidentally lost, misplaced, damaged or destroyed, in whole or in part, and agrees only to send a copy, not the original, of any Material, to CSC.
3. Licenses from Writer to CSC So Writer May Submit and Compete
A)Writer is not waiving, and this Agreement will not in any way limit any intellectual property rights (including copyright rights) that Writer may have in the Material. Writer hereby grants CSC and any CSC Associates a limited nonexclusive worldwide license to use, copy and display the Material for the purpose of evaluating it for coverage, judging it in the screenwriting competition, and/or, at CSC’s sole option, publicizing scripts or their associated screenwriters that have had some success in the competition; provided however that: (1) CSC shall only provide the Materials to: (a) CSC Associates; (b) industry professionals (i.e., agents, people at production companies, etc.) that may have expressed, to CSC or a CSC Associate, interest in Writer and the Material; and/or (c) industry professionals that CSC, in its sole discretion and judgment, otherwise believes might perhaps be helpful in advancing Writer’s screenwriting career; and (2) CSC shall never display online, nor provide to any publication to publish, Writer’s screenplay in its entirety. (B) Notwithstanding the foregoing, Writer hereby grants to CSC a limited nonexclusive worldwide license to post online, and/or to publish (or provide for publication), in a newspaper or periodical of CSC’s choice: (1) the Material’s logline; (2) a brief synopsis of the Material; or (3) a portion of the Material chosen solely by CSC that is a small percentage of the overall entire submitted screenplay yet nevertheless is, in CSC’s sole judgment and discretion, large enough to serve as a sample of the script’s overall quality and/or Writer’s writing talent. (C) Other than as licensed herein, CS will not use the Material or any part thereof unless Writer: (1) enters into an agreement granting CSC rights to the material; or (2) CSC determines in good faith that Writer does not own or control the Material because features or elements were independently developed by someone other than Writer.
4. Writer understands and agrees that CSC and CSC Associates may use in any fashion, no matter how similar to the Material and/or any elements or aspects thereof, any works that are: (a) independently developed by CSC or any CSC Associates without reference to the Material; (b) otherwise made available to CSC by some third party; (c) neither original with Writer(s), nor new, unique, concrete, novel; and/or (d) in the public domain (individually or collectively, the “Works”).
5. Writer releases CSC and CSC Associates from any and all liability to Writer for the use by CSC or any CSC Associates of any Works, or the use of the Material according to the license grant in Section 3 above, and Writer agrees not to sue CSC or any CSC Associates or bring any action or proceeding against CSC or CSC Associates for CSC or any CSC Associates for (a) using any such Works; (b) using the Material according to the license grant; and/or (c) failing to compensate Writer(s) for CSC’s use of the Material, unless CSC had otherwise agreed in writing with Writer(s) to do so; CSC and/or CSC Associates are entitled to an injunction or other equitable remedy if Writer brings such a suit, action or proceeding against them.
6. Writer represents and warrants that: (a) the Material is original to Writer, who has the full and exclusive right to submit the Material to CSC; (b) Writer knows of no dispute related to or associated with the Material; (c) Writer shall fully comply with any and all Rules and the terms and conditions of this Agreement; and (d) Writer will fully indemnify and hold CSC or any CSC Associate harmless if Writer incurs any losses, damages or expenses (including, without limitation, lawyers’ fees and expenses) due to (i) Writer’s breach of any of the Rules or terms and conditions of this Agreement; (ii) any or all of the representations or warranties of Writer in this Agreement not being true or having been made in bad faith; (iii) claims by any person, firm or corporation that any or all of Writer’s statements, representations or warranties in this Agreement are not true; (iv) the possession or licensed use by CSC, or any CSC Associate, of the Material; and/or (v) any claim by a third party that the Material or any aspect thereof violated, breached or infringed any intellectual property rights (including without limitation any rights related to copyrights, trademarks, trade secrets, publicity, or patents) of such third party or that the Material or any aspect thereof was defamatory, obscene or otherwise illegal.
7. Writer understands that the nonperformance of any party shall be excused to the extent that performance is rendered impossible by strike, fire, flood, earthquakes, war, governmental acts or orders or restrictions, acts of God, or any other reason where failure to perform is beyond the reasonable control, and not caused by the negligence of, the non-performing party.
8. Writer understands that all federal, state and local laws and regulations apply. All taxes (including, without limitation, federal, state, and local taxes) on or connected with any prize, and the reporting consequences thereof, are the sole and exclusive responsibility of respective winners. All winners will be responsible for their own U.S. income tax withholding.
9. Writer hereby grants CSC the nonexclusive right to use Writer’s name, photograph, and likeness in connection with any and all promotional activities without any additional compensation. Each winner must, if so requested by CSC, complete CSC’s winner verification process and/or execute an Affidavit of Eligibility and a Liability/Publicity Release within a reasonable period of time if so required by CSC.
10. If more than one writer enters this contest, references to the submitting party as Writer, Writers or Writer(s) throughout this Agreement shall apply to each such party, jointly and severally. Any headings used in this Agreement are intended for convenience only. They are not a part of the written understanding between the parties and shall not be deemed to affect the construction and interpretation of this Agreement.
11. Writer may not assign Writer’s rights and/or obligations pursuant to this Agreement, in whole or part, without the prior written consent of CSC; provided, however, that all such assignees, licensees or successors-in-interest shall assume, via a written instrument, the original party’s duties to comply with the terms herein.
12. The failure to exercise any right provided in this Agreement shall not be a waiver of prior or subsequent rights.
13. If any provision of this Agreement is invalid under applicable statute or rule of law, it is to be considered omitted and the remaining provisions of this Agreement shall in no way be affected.
14. Writer agrees to notify CSC of any address change by email within a reasonable time of moving.
15. The parties agree that every dispute or difference between them, arising under this Agreement, shall be settled first by a meeting of the parties attempting to confer and resolve the dispute in a good faith and timely manner.
16. In no event will CSC or any CSC Associates be liable under the rules or this agreement for any kind of damages other than actual, direct and provable damages (i.e., consequential, special, statutory, indirect, or incidental), regardless of whether characterized as arising from breach of contract, warranty, tort (including negligence), strict liability, breach of warranties, failure of essential purpose or otherwise, even if advised of the possibility of such loss or damage, or if such loss or damage is foreseeable.
17. Each Writer agrees that they have read and understand this Agreement and the Rules. This Agreement and the Rules together state and constitute the entire agreement between Writer(s) and CSC and supersedes (if any) all prior and contemporaneous representations, agreements and understandings, whether written or oral.
18. This Agreement shall be governed by the laws of California, exclusive of its conflict of law rules. The courts located in Los Angeles, California (federal or state, as applicable) shall have exclusive jurisdiction over all disputes arising hereunder.

h1

2009 – Script Pimp Screenwriting Competition

May 7, 2009

The 7th Script Pimp Screenwriting Competition

Submission guidelines:
* Entry fee: $50. Additional entries are $45. New Writers Database members receive 1 free entry.
* Additional, general notes on the script may be added for $40.
* Contact information (name, E-mail address, etc.) may be added to the cover page
* Scripts in PDF, Final Draft (.fdr), Microsoft Word (.doc) are preferred
* Script should be a feature-length screenplay. All genres, styles, lengths, etc. are fine
* You may submit as many entries as you prefer
* Simultaneous submissions are fine (i.e. you can enter other screenwriting contests with the same script)
* Synopses and loglines are optional. Send any additional materials to entry@scriptpimp.com after entering.
* Previous Script Pimp competition entries welcome to enter again and are guaranteed fresh reads
* New Writers Database members may send their free entry to entry@scriptpimp.com.

Prizes:
FOUR GRAND PRIZE WINNERS

* $12,000 total cash ($3,000 each)
* Guaranteed circulation to over 150 Companies
* 5-year memberships to Script Pimp’s Writers Database
* Featured Script Pimp Recommend listing on Ink Tip™
* $1,000 toward the “Think Tank” program at Writers Boot Camp
* Invitation as recognized finalist to the Script Pimp Awards Ceremony at Writers Boot Camp in Santa Monica, CA in July 2009 where the winners will be announced

TWENTY FINALISTS

* $4,000 total cash (all finalists receive $200 each)
* Guaranteed circulation to over 150 Companies
* 5-year memberships to Script Pimp’s Writers Database
* Featured ‘Script Pimp Recommend’ listing on Ink Tip™
* $100 “Creative Currency” for Writers Boot Camp
* Invitation as recognized finalist to the Script Pimp Awards Ceremony at Writers Boot Camp in Santa Monica, CA in July 2009 where the winners will be announced

EVERYONE who enters the competition is eligible for the following prizes:

* 12 copies of Final Draft 7.0 ($2,400)
* 4 one-year subscriptions to Creative Screenwriting ($120)
* 4 one-year subscriptions to Scr(i)pt Magazine ($100)
* 4 one-year subscriptions to Movie Maker Magazine ($60)
* 10 listings on Ink Tip™ ($400)
* 3 script consultations from Script Pimp Writers Workshop ($1,950)
* 5 screenplay technical edits from Script Pimp, w/additional editing notes ($2,500)
* 10 half-hour consultations with a Script Pimp reader ($3,000)
* 50 two year subscriptions to Script Pimp’s Writers Database ($10,000)
* 30 five year subscriptions to Script Pimp’s Writers Database ($15,000)
* 15 ten year subscriptions to Script Pimp’s Writers Database ($15,000)
* 10 Script Pimp Workshop Development Notes ($2,500)
* 10 sets of notes/script evaluations from Writers Boot Camp

Rules:
The Script is completely original with me. I am the present and exclusive and sole owner of all right, title, and interest in and to the Script; and I have the exclusive, sole, and unconditional power and right to submit the Script to you subject to the terms and conditions of this Agreement and the rules of your screenwriting competition. (If the Script is adapted from another medium, I am enclosing documentation verifying my right to make such an adaptation.)

The Script has not been produced, sold or optioned.

I am at least eighteen (18) years of age.

I acknowledge my understanding that eligibility to compete in this contest is limited to individuals who do not fall within any one of the following:

1. Individuals who have received sole or shared producer credit as to any film, series, or episode that has been produced for presentation in theaters or by means of television, home video, or any similar medium;
2. Individuals who have received sole or shared writing credit as to any film, series, or episode that has been produced for presentation in theaters or by means of television, home video, or any similar medium;
3. Individuals who have received sole or shared directing credit as to any film, series, or episode that has been produced for presentation in theaters or by means of television, home video, or any similar medium;
4. Individuals who have sold or optioned, in consideration of the receipt of the sum of $15,000 or more, any film screenplay to any entity or individual.

h1

Slamdance’s 2009 Feature Screenplay Competition open for entries

May 7, 2009

SLAMDANCE 2009 FEATURE SCREENPLAY COMPETITION

SLAMDANCE FEATURE SCREENPLAY WINNER: GRAND PRIZE $5000!

UPLOAD FILMS BEST LOW BUDGET FEATURE AWARD: WINNER RECEIVES POTENTIAL OPTION DEAL WITH UPLOAD FILMS!

SCRIPT ACCESSIBLE AWARD – FOR BEST SCREENPLAY INVOLVING CHARACTERS WITH DISABILITIES AND/OR WRITTEN BY A PERSON WITH DISABILITIES: WINNER RECEIVES $1,000!

MISSION:

The Slamdance Screenplay Competition is dedicated to discovering and supporting emerging writing talent. We welcome screenplays in every genre, any budget, on any topic, from anywhere in the world. Our mission is to nurture and bring attention to talented screenwriters and introduce them to the entertainment industry. A unique feature of the competition is providing constructive feedback for every entrant. We’ve established a strong track record through our competition successes and continue to discover outstanding new work.

We look forward to your screenplay!

DEADLINES:

Early Deadline: April 27, 2009
Final Deadline: June 15, 2009

ENTRY FEES:

Early submission fee: $40.00 (by Early Deadline, April 27, 2009)
Final submission fee: $50.00 (by Final Deadline, June 15, 2009)

COVERAGE FEES:

+$75.00: Online Coverage Service – available within 2 months*
+$115.00: Fast Track Coverage – available within 14 days*

* Please note Coverage Fees are in addition to Entry Fees

ENTRY PROCEDURE:

1. Please read the entry procedure, rules, guidelines and selection process. Then register a slamdance.com Account, or log in as an existing slamdance.com Account member.

2. Click on “SUBMIT SCREENPLAY”, read through and agree to the Slamdance Screenplay Competition Terms and Conditions, and then fill out the online screenplay application form

3. Click on one of the following entry fee payment options:

* OPTION 1: Credit Card Online Payment (Mastercard and Visa)
* OPTION 2: Check or money order payable to “Slamdance”.

4. Click on one of two ways to send your screenplay submission:

* OPTION 1: Upload a pdf file to submit your screenplay electronically
* OPTION 2: Choose to mail in hard copy of screenplay to Slamdance offices

To complete the submission process for a hard copy screenplay, you will print your completed screenplay application form and send form with check or money order and screenplay in one package to:

Slamdance 2009 Screenplay Competition
5634 Melrose Avenue
Los Angeles, CA 90038

If you choose Option 1 please upload your screenplay in pdf format no larger that 2MB.

If you choose Option 2 please bound your screenplay with brads on three-holed punched paper. It’s okay to send multiple screenplay submissions in one package, but each screenplay must have its own printed application included in the package.

5. For screenplays longer than 120 pages please call our offices – 323-466-1786 before submitting your entry.

RULES:

1. Screenplays must not have been previously optioned, purchased or produced.

2. Screenplays must not have received awards from other competitions over $500.00 at the time of entry.

3. Screenwriters who have had previous feature screenplays produced and distributed by non-independent means are ineligible.

4. Screenplays must be in English, formatted in 12-point courier font.

5. All check payments must be payable in U.S. dollars to “Slamdance” and drawn from U.S. banks. U.S. Money Orders and Traveler’s Checks are also accepted.

6. Any check returned to us for non-payment will be subject to a $15 service fee.

7. To enter the Slamdance Screenplay Competition you must agree to its Terms and Conditions.

8. The Slamdance Screenplay Compeititon Readers’ decisions are final.

GUIDELINES:

1. Please provide only one primary contact on your screenplay application form

2. In the event of multiple writers, list all additional co-writers. Please note Slamdance divides awards equally among co-writers.

3. If you are sending your screenplay entry by mail and would like delivery confirmation, please include a self-addressed stamped postcard with your submission package.

4. Slamdance is not responsible for screenplays or coverage stolen or lost in transit

5. For screenplays longer than 120 pages, please call our office before submitting your entry.

EXPLANATION OF SERVICES:

Online Feedback:
Everyone who submits a screenplay to Slamdance will receive online feedback from our Readers. The object of our Online Feedback Service is to provide you with constructive criticism about your work. The feedback includes a logline, a pitch line, genre suggestion and shows strong and weak parts of your screenplay. Online Feedback is quite basic compared to the extensive notes provided with our Online Coverage Service.

Online Coverage Service:
The object of Slamdance’s Online Coverage Service is to provide you with extensive constructive criticism about your work. The Online Coverage Service includes a complete story breakdown and then addresses “what works”, “what doesn’t work” and “how it can be improved”. These three categories are the main part of the Coverage Service and are intended to help you with revisions of your screenplay. The Coverage Service also offers the screenwriter an idea of what “the next step” could be with their screenplay and writing. This may address media, films and screenplays, production companies and agencies the writer should be aware of, as well as any words of wisdom from one of our Readers. Slamdance’s Online Coverage provides you with an insight into the mind of a Reader who reads hundreds of independent screenplays each year. Our Readers’ goal is to assist you in crafting your submission into something that can advance in competition and impress agents, managers and producers.

Online Coverage will be available within two months from the time you submit your work. A notice will be sent to the e-mail address you provided in your screenplay application form when your Coverage is available.

Please note our Online Coverage Service is available year-round. We also offer year-round, one on one screenplay consultation services. For further details please call the Slamdance office: 323-466-1786.

Fast Track Online Coverage Service:
Slamdance’s Fast Track Online Coverage is an added benefit for those that would like to receive coverage within 14 days of your screenplay submission arriving at the Slamdance office. The additional cost of this benefit is $35 on top of the $50 base coverage charge.

SCRIPT REGISTRY:

To protect your intellectual property we suggest you register your work with the Writers Guild of America, west (www.wga.org or call 323 782 4500) and the US Patent and Trademark Office.

COMPETITION SELECTION PROCESS:

Two Readers will determine whether a screenplay proceeds into the Second Round of the Competition. Over half of the screenplays submitted make it to Round Two. From here, a Top 200 will be selected as Quarterfinalists. Fifty scripts will make it to the semifinals, and ten finalists will be announced at the Writers Guild of America in September. One writer will be awarded the Grand Prize, and all finalists will receive product prize packages from our sponsors. An additional finalist will also be selected for the Upload Films Best Low Budget Feature Special Award.

Scoring Details:
Screenplays submitted to the Slamdance Screenplay Competition are scored in five categories: Character, Dialogue, Story, Structure, and Originality. We also use a “Sparky” score which gauges the Reader’s emotional response to a screenplay. Sometimes, the Sparky score helps screenplays move onto the next round of Competition. Scores, as well as Reader meetings, determine what scripts go onto the Quarter and Semifinals, and then the Finalists. Please note no screenplay scoring is shared with anyone outside of the Readers of the Competition.

Slamdance Readers:
Slamdance Readers are industry professionals and all have a combination of the following qualifications: professional coverage background, production and development background, and/or are professional writers, Slamdance alumni, playwrights and journalists. Readers’ Competition decisions are final.

PRIZES:

• Slamdance Grand Prize: $5,000

• Upload Films Best Low Budget Feature Award – Winner will receive potential option deal with Upload Films

• Script Accessible Award for best screenplay involving characters with disabilities and/or written by a person with disabilities – Winner will receive $1,000

• The top ten screenwriters will receive Final Draft screenwriting software

• The top ten screenwriters will receive a year subscription to Script Magazine

• The top ten screenwriters will have the option of using InkTip to network their project to the industry

• Selected material will be read On Stage in Los Angeles, New York and Park City

• The top ten screenwriters will receive prize packages that include Festival Passes good for all screenings and parties at the Slamdance Film Festival in Park City, Utah (January 2010)

• The top ten screenwriters are eligible for membership in the Writers Guild of America’s Independent Writers Caucus

• The top ten screenwriters will receive merchandise from the Slamdance Shop

• Production companies, studios, agencies and managers request to read our top scripts

PLEASE CALL US IF YOU HAVE ANY QUESTIONS:

If you have any problems while submitting, or any questions about the submission process just e-mail us using: alexandra@slamdance.com or call our offices: 323-466-1786

h1

2009 – The 22nd WriteMovies International Writing Contest – open to registrations

May 7, 2009

The 22nd WriteMovies International Writing Contest

Sponsored by Final Draft

Deadline: June 17, 2009

Only 1000 entries will be accepted. Enter early and save! Out of close to three hundred “contest sites,” WriteMovies is one of only a handful that has produced movies from winning projects. “The List”, was written by WriteMovies winner Marcus Folmar. In addition, former winner Jon Rosten has parlayed his success in the contest into getting his project,” Valley of Angels” produced last Dec. Hundreds of others have had their scripts optioned and bought and have found representation. Several novels have also been published and plays produced. Production companies, studios and agencies contact us all the time about our winners! The founder of the company discovered Andrew Niccol who wrote & produced “The Truman Show” amongst others. We succeed when you succeed.

* Early entry (on or before May 7): $19
* Standard entry (on or before May 28): $39
* Late entry (before June 17): $49
* Flat fee for books: $54

* Grand Prize: $3,000 in cash and guaranteed representation.
* Up to $1 million in option monies from the A-List producers we work with. If a studio/production company wishes to option the script, we will fly the winner to Los Angeles and pay (up to $4,000) for their accommodation.
* We will pitch the top three projects to relevant production companies (such as Neal Moritz Productions, Bruckheimer Films, Scott Rudin Prods.) & studios (Paramount, Warner Bros, Universal, etc.). You keep ALL the option/sales money.
* The Grand Prize winner is also pitched to several literary agencies and management companies as well as non-US companies to increase the chances of a sale.
* We will pitch your script to companies such as ICM, William Morris, Endeavor, ACME, The Gage Group, etc.
* The names of the top three winners and their projects are mentioned in press releases and on the web. The Grand Prize winner will receive $1,000 in free script consulting to develop the winning script
* The top three contestants are invited to have lunch in Los Angeles with a Hollywood producer.
* The second place winner will receive our free Platinum consulting package.
* The third place winner will receive our free Gold consulting package.
* Courtesy of Final Draft, the top winners will receive their award-winning screenwriting software.
* One year’s subscription to Script Magazine to top three writers.
* Courtesy of Click & Copyright, the top three winners will receive a free Complete Copyright Package, that will enable them to protect their winning project or a future project of their choosing.
* Also courtesy of Click & Copyright, the top three winners will receive their choice of any 3 of their e-books.

h1

2009 – SHADOW SCREENWRITING COMPETITION

May 5, 2009

THE 2009 – SHADOW SCREENWRITING COMPETITION

1st Prize: $300 + Representation with Shadow
2nd Prize: $200 + Representation with Shadow
3rd Prize: $100 + Representation with Shadow

HAVE YOUR SCREENPLAY READ BY A PANEL OF TOP INDUSTRY AGENTS, MANAGERS & PRODUCERS

We are accepting FEATURE LENGTH screenplays in ALL GENRES
(fiction, non-fiction, comedy, drama, horror, action, thriller, etc.)

SUBMISSION DEADLINE
June 15, 2009

*All screenplays will be reviewed by a panel of story analysts, agents, managers, and producers, including:

Ryan Saul, Literary Agent (Agency for the Performing Arts “APA”)
Alan Ellsweig, Talent/Literary Manager (Shadow Ent.)
Mark Holder, Literary Manager (Holder Management)
Jennifer Good, Literary Agent (The Alpern Group)
John F. Smith, writer/co-creator “Bold & the Beautiful”
Mitchell Clem, Talent/Literary Manager (Shadow Ent.)
Edward Scott, Award-Winning Daytime Producer
James Morrison, Emmy Award-Winning Actor, “24″

*All writers that place in the top 40% will receive a written critique of their screenplay(s)

*All writers that place in the top 10% will be guaranteed a meeting with a literary agent or manager to discuss their entry in person

SPECIAL DISCOUNT FOR INFOLIST.com!!
Write INFOLIST on your submission form, and get 15% OFF! That’s just $36 (normally $40) to submit your screenplay!

TO ENTER:

ONLINE:
1. Make your $36 payment by logging in at www.PayPal.com and making your payment to aellsweig@shadowent.net (include Full Name, Screenplay Title, and INFOLIST in message field, to be eligible to receive your discount).
2. Send an email, with:
a) Copy and paste the Entry Form (see below) filled out
b) Your Screenplay attached as a pdf file (note: pdf files ONLY)
3. Entry must be received by June 15th, 2009.

VIA REGULAR MAIL:
1. Include a $36 check made out to Shadow Entertainment
2. Include a hard copy of your screenplay
3. Copy, print, and fill out the Entry Form below (Be sure to
4. Mail your package (Postmark Deadline June 15, 2009) to:

Shadow Entertainment
ATTN: Screenwriting Competition/InfoList Submission
10 Universal City Plaza, 20th Floor
Universal City, CA 91608

ENTRY FORM:

THE 2009 SHADOW SCREENWRITING COMPETITION
INFOLIST SUBMISSION (15% Discount on Entry Fee – $36)

AUTHOR INFO:

Name: ____________________________________

Address: ____________________________________

City/state/zip: ____________________________________

Email: ____________________________________

Phone: ____________________________________

SCRIPT INFO:

Number of Submissions: ______

Title(s): _______________________________________________________

Genre(s): _______________________________________________________

****************************************

h1

2009 – 10th Annual MOONDANCE INTERNATIONAL FILM FESTIVAL

May 5, 2009

THE MOONDANCE INTERNATIONAL FILM FESTIVAL 2009

POSTMARK DEADLINE: MAY 15

MISSION & OBJECTIVE
MOONDANCE INTERNATIONAL FILM FESTIVAL

Our objective for this competition and film festival is to inspire, promote and encourage screenwriters and independent filmmakers, and the very best work in film & film scripts, stage plays, TV scripts, musical film scores, librettos, radio plays & short stories. Moondance provides a professional forum in which those creative, talented & dedicated artists can have the opportunity for their work to be viewed and accepted by the powers that be, within the international film & entertainment community.

Our work on reaching out toward filmmakers, writers and film score composers everywhere in the world is primary and ongoing. Writers and filmmakers from all six continents, and from a wide diversity of ethnic and linguistic groups are an integral part of our mission and goals. We seek to inspire and invigorate this creative potential to perceive, conceptualize, and produce their works for the benefit of the world society. We are dedicated to preserving their accumulated accomplishments and visions as expressed through the art of film, music and writings.

Moondance promises to raise awareness of the invaluable contributions of creative talents to the entertainment community. Equity in the film industry does not mean stifling some voices so that others may be heard; it does not demand the compromising of personal standards to achieve success. Equity creates new standards which accommodate and nurture differences. Equity fosters the individual voice, investing talented people with confidence in their own authority. Equity unleashes the creative potential. We see the equal treatment of all, and the equal respect for all responses they explore, as essential to their and our ultimate goals.

Independent filmmakers, writers and composers are vocal and active participants in the social forces that shape our culture. They portray people as three-dimensional, complex human beings and thus defy the demeaning and pervasive stereotypes perpetuated by the mainstream media.

We are also dedicated to promoting visibility for women in Hollywood and their impact on the film industry, and we see this as a means to disrupt and correct the misogynous, fantastical, passive, destructive and denigrating visual representation of females that has, historically, been rendered by men in media and has for so long and so plentifully pervaded our visual culture.

Moondance promotes, encourages, educates and rewards non-violent conflict resolution in the arts & film. Our much-coveted Columbine Awards are given to the filmmakers, writers and composers (of any age) who best depict alternatives to violence as a method of dealing with conflicts, whether personal, local, national or international, and/or show why violence as a solution to conflict is ultimately counter-productive and inhumane.

Moondance is dedicated to promoting environmental awareness and preservation, and we award the Calypso Award to those filmmakers, writers and composers who create meaningful, educational and entertaining works toward this goal, and inspire others to do likewise.

Our mission is to entertain, to inform, to inspire, to encourage and to educate. We believe that films and scripts can contribute to a healthier society and that films and scripts should encourage the active involvement of audiences to connect and act collectively to address social challenges.

Winning and finalist films and scripts are innovative, distinctive, compelling and engaging, relevant to varied audiences and encourage participation. We are eager to continue to be one of the most important film festivals in the world by being innovative, risk-taking, and open to new thinking, new concepts, new talent, and new ways of telling stories.

Our film programs are always well rounded, entertaining, and enlightening, highlighting diverse cultures, opinions, and stories. We welcome individual expression and are committed to presenting diverse points of view. Moondance aims to entertain, increase awareness, provide multiple viewpoints, address complex social issues, provide forums for deliberation, and strengthen ties between a large variety of international audiences.

The long-term vision of the Moondance International Film Festival is to preserve and revitalize our intangible heritage, cultivate creative diversity, develop an intercultural dialogue, and stimulate this creative resource. Our mission is to present a vibrant and growing collection of films and writings, which is an ideal means for communication across perceived boundaries of race, culture, age and gender. These works document the complexity and depth of men’s & women’s experiences that will become widely accessible within the world film industry and to the public, and will encourage and inspire others to write and to make films.

ABOUT THE FESTIVAL
The annual Moondance International Film Festival is for the benefit of both women & men, and all are encouraged to submit entries & to attend the film festival.

MOONDANCE FILM FESTIVAL AWARDS CATEGORIES:

-SPIRIT OF MOONDANCE AWARD
This award category is for women writers, filmmakers & composers. Men may be co-writers or co-filmmakers, but the entry must be submitted by a woman.

-MOONDANCE SEAHORSE AWARD
This award category is for men writers, filmmakers & composers. Women may be co-writers or co-filmmakers, but the entry must be submitted by a man.

-MOONDANCE SANDCASTLE AWARD
This award is for male and female writing, filmmaking & film score composer teams where both men and women or a man and woman work as a team on the project.

-MOONDANCE COLUMBINE AWARD
Films and writings may be by either a man or a woman or a male/female tam, or an 18 & under, or 75 & over entrant. The work must reflect non-violent conflict resolution, alternatives to violence, or show why violent resolution to conflict is counter-productive. The submitted material may not contain gratuitous violence. ALL entries will be considered eligible for the Columbine Award category

-MOONDANCE DOLPHIN AWARD
This award is for young people 18 years of age or younger, at time of submission, male or female. Moondance accepts submissions for this award in the genres of short narrative, short documentary or animation video film, as well as short screenplays, short stories or short stageplays.

-MOONDANCE CALYPSO AWARD
This award is to encourage a spirit of enterprise in saving the environment, habitats and wildlife, or enhancing awareness of a spiritual life, by creative individuals from around the world. The award is presented to the person who expands knowledge of our world, seeks to improve our quality of all life on the planet, and contributes to the betterment of humankind.

-MOONDANCE NEPTUNE AWARD
This unique award is presented to a male or female writer or filmmaker, over the age of 75, who has created either a single work of the highest quality or a body of quality work, and who continues to strive for excellence in his or her career in the entertainment industry, and who inspires and encourages others by his or her example.

-MOONDANCE GAIA AWARD
This award is to encourage and inspire contemplative, meditative, spiritual and inspirational films, scripts, stageplays, short stories & film scores. The award is presented to the person who seeks to elucidate and improve the spiritual quality of all life on the planet, and contributes to the betterment of the world spirit.

-MOONDANCE ATLANTIS AWARD
This award is for any winning project, in any category, from outside the US.

-MOONDANCE STARFISH AWARD
This award is for any winning project, in any category, in the comedy genre.

For our 10th anniversary, MOONDANCE 2009 will present 10 new juried film awards for narrative feature films, in addition to our regular lineup of award categories.

• Best Picture
• Best Direction
• Best Editing
• Best Cinematography
• Best Female Actor
• Best Male Actor
• Best Costuming
• Best Film Score
• Best Art Direction
• Best Screenwriting

The winners of these special awards will be selected from all the winning narrative feature films.

*MOONDANCE RESERVES THE RIGHT TO DECLINE AWARDING PRIZES IN ANY AWARD CATEGORY OR GENRE IF THERE ARE NONE SUBMITTED THAT ARE SUITABLE.

ORGANIZERS:
Elizabeth English (Executive Director) ; Elizabeth English (Festival Director) ; Elizabeth English (Festival Director)

GENERAL RULES
MOONDANCE INTERNATIONAL FILM FESTIVAL

COMPETITION GUIDELINES

1. SUBMISSION CATEGORIES:

WRITTEN WORKS SUBMISSIONS: feature screenplays, short screenplays, feature & short musical screenplays, feature & short screenplays for children, 1, 2 or 3-act stageplays, mini-series for TV, television movies of the week, television pilots, libretti, short stories, radio plays short stories for children …and more!

FILM SUBMISSIONS: DVDs or Video tapes in NTSC format are the preferred format for submitting film entries to the competition. DVDs and video tapes in NTSC format or PAL accepted for features, short narratives, feature documentaries, short documentaries, animation, music videos, multi-media narrative shorts & features, features & shorts for children & shorts by young filmmakers 18 & under. Please note running time on entry form and on DVD or video tape!

* Do not use paper labels on DVDS! Paper labels often cause your DVD to stick, skip, pixillate and stop.

Make sure all info is is on the DVD disk and/or on the plastic case or paper envelope. Info needed: TITLE OF FILM, TRT (run-time), YOUR CONTACT INFO, and WAB TRACKING NUMBER.

Please DO NOT package your submission for mailing in kapok-filled (shredded paper) envelopes! Bubble-wrap is best.

If you send your entry fee by company check, please write your name and the title of your submission on the check.

FOREIGN SUBMISSIONS: You must mark the customs declaration: “commercial sample only, no dollar value”. Moondance will not pay customs duties or fees.

FILM SCORES: spec CDs, narrative feature, short, documentary, multi-media & animation film scores. Send CD & NTSC DVD or PAL tape, if the film has been produced. The music submitted does not have to be from a produced film! You may submit music “on spec” for potential films. If your film score is on a produced film, please send a DVD in NTSC with your CD.

2. If your preview submission is in PAL format, and is selected for screening at the film festival, you must send us an NTSC format Digi Beta or DV-CAM. The film festival will screen selected NTSC format only.

3. Send screenplays, stageplays, teleplays, libretti, or short stories, in standard industry format. Please use solid brass brads or fasteners for scripts! Cheaper brass colored brads fall out after reading a few pages.

For TV pilots, Please send the pilot script, a logline and one-page synopsis of the pilot, a one-page character list and notes on the characters, one page of loglines or mini-synopses of several subsequent episodes, and title page with your contact info. You may bind the entire package in with the pilot script.

* All written entries must have a logline and one-page synopsis included after the title page.

4. DVDs & video tapes not in English must have English subtitles. No dubbed video tapes or DVDs will be previewed.

5. Send a check or money order for entry fee in US $, which is non-refundable, payable to: Moondance Film Festival.

6. Entries must be postmarked by the deadline date.

7. ANNOUNCEMENTS: Contest winners will be announced in advance of the festival event, via our newsletter and on the Moondance website. Formal in-person announcements will be at the Moondance Film Festival awards ceremony, where awards will be given out. The finalists and winners will also be announced in the Moondance e-newsletter and the winning entries will be posted on the Moondance website. If your film is selected for screening, or if your submission is a finalist, please make every effort to attend the film festival.

8. DO NOT send an SASE (self-addressed, stamped envelope), as preview material cannot be returned.

9. You may enter more than one written work, CD, DVD, VHS or PAL tape. There is no limit on how many entries you may submit, but each entry must have a separate entry and entry fee. You may send multiple submissions together in one package.

10. Short-story writers may submit up to three (3) short stories for a single entry fee. Up to three short stories may be listed on a single entry form.

11. Films & written works may on spec (not produced) or produced. They may have been written or filmed any time, any year. Stageplays may be submitted even if they have been produced on stage. or published. Short stories may be submitted in book form, if published.

12. If not paying your entry fee via credit card online at WAB, send the entry fee with your submission, in $US dollars for each entry, in the form of personal check, company check, money order, international money order, American Express Travelers Cheque, Western Union, or international postal money order, payable to MOONDANCE FILM FESTIVAL.

13. All submissions will be acknowledged via email. Include the emails for all individual production crew and co-writer(s) who may be interested in learning the results of the competition.

14. PUBLICITY PHOTOS: If your film is selected for screening, you will be asked to send us several clear publicity stills for the film, in .jpg digital format on CD Rom or as a .jpg attachment to an e-mail, along with the screener copy, if you are submitting a feature, short, documentary, multi-media or animation film. Write the title of the film & your name on the back of each of the stills, or as the title of each still on the CD Rom. Example: “THE PIANO/seacoast”

15. Screenplays, stageplays , teleplays, radio plays, lyrics, librettos & short stories may be written in English or translated into English* for submission to competitions.
*Note: we now have readers for scripts in several languages: Spanish, German, Dutch, and Africaans. If you wish to submit a script in a language other than English, please contact: director@moondancefilmfestival.com, & we will give you the address for sending the script.

16. Feature, short, documentary & animation DVD(s) or PAL tape(s) may be submitted by the screenwriter, director, producer, production company, distributor, animator, editor &/or cinematographer.

17. Read & submit entry & release form.

18. Moondance reserves the right to decline selecting a semi-finalist, finalist or winner in any category and at any stage of the judging if there are no acceptable entries or finalists in that category.

20. Mail or courier all submissions to:

MOONDANCE FILM FESTIVAL
970 9th STREET
BOULDER, CO 80302 USA

* PLEASE CHECK OUT the “Writers, Read This” or “Filmmakers, Read This” suggestions & advice on how to submit and win film industry competitions, at the Moondance E-zine: www.moondancefilmfestival.com

*************IMPORTANT NOTES:

1. LABEL YOUR FILM with your WAB tracking #, title, running time and the director’s name. Please don’t toss a blank DVD or VHS without any kind of label, in an envelope. We don’t have time to label your film for you!

2. Do not package your film with Kraft-type shredded paper or kapok filling!!! It gets all over everything when it’s opened, and the junk ruins your DVD or VHS. Bubble-wrap is best.

3. You MUST select what awards category you’re submitting for:

SPIRIT OF MOONDANCE: women
SEAHORSE: men
SANDCASTLE: male-female team
DOLPHIN: 18 years of age or younger
NEPTUNE: 75 years of age or older

WAB has a special question space for you to select what awards category you’re submitting for! Please use it!

4. Do not use paper labels on DVDS! Paper labels often cause your DVD to stick, skip, pixilate and stop.

5. Make sure all info is is on the DVD disk and/or on the plastic case or paper envelope. Info needed: TITLE OF FILM, TRT (run-time), YOUR CONTACT INFO

6. FOREIGN SUBMISSIONS: You must mark the customs declaration: “commercial sample only, no dollar value”. Moondance will not pay customs duties or fees.

7. Write a great LOGLINE or MINI-SYNOPSIS of 25 words or so on the WAB page for your film or written project. A good logline helps sell the story! Read the titles & loglines article on the Moondance e-zine “First Impressions” for how-to tips.

Thanks a million!!!
–Moondance Team

More informations on MOONDANCE INTERNATIONAL FILM FESTIVAL WEBSITE

h1

The 2009 Creative World Awards international screenwriting competition is now open

May 2, 2009

Creative World Awards (CWA)

The Creative World Awards is an international screenwriting contest devoted to discovering and advancing the hottest new screenwriters in the industry. With direct access to top level producers and industry executives, this contest has become a very prominent source for promoting talented writers.

We are very proud to announce that InkTip and Final Draft are sponsors of the 2009 Creative World Awards competition along with SellAScript, Daily Variety, and more. Regarded highly on the Reader’s Choice and Most Significant contests on Moviebytes, CWA is an effective route to develop your script, find representation or get your script optioned. One step ahead, CWA has secured commitments from major Blockbuster hit companies to take first looks at our top winning finalists.

Submit your script now and earn a chance to become one of the next most sought after screenwriters in the industry. You can first click on the How to Enter page for a quick break down of the four genre categories, or go directly to the application now by clicing on the online application link below.

To Enter Your Script Now, click here: Online Application

Or for WithoutaBox Members: click to submit

What sets this screenwriting competition apart?

Outside of the judging review process and the general post competition circulation, this screenwriting competition has secured an unprecedented amount of commitments from prominent companies to take first looks at our top winners. These companies include:

* Relativity Media – HANCOCK, SEVEN POUNDS, HELLBOY II, ATONEMENT, VANTAGE POINT, AMERICAN GANGSTER, 3:10 TO YUMA;
* Intrepid Pictures -THE STRANGERS, DOOMSDAY, THE HITCHER, THE RETURN;
* Lionsgate/Mandate International – WAR OF GODS, THE BANK JOB, JUNO, SAW Series, THE FORBIDDEN KINGDOM;
* Gaumont – One of the largest exhibitors and producers in France (THE PROFESSIONAL; THE FIFTH ELEMENT, upcoming: SPLICE starring Adrien Brody, Sarah Polley ) and distributors of films in France;
* Insomnia Media Group – an independent film, television and talent management company. Currently in pre-production on writer-helmer Barry Primus’ 20% FICTION, executive produced by Robert De Niro;
* Icon Entertainment – APOCALYPTO, PASSION OF CHRIST;
* Crystal Sky – BRATZ, BIG STAN, GHOST RIDER;
* Voltage Pictures – FLYBOYS, PERSONAL EFFECTS, HEAVENS FALL, THE MUTANT CHRONICLES;
* Inferno Entertainment – THE WOMEN, THE LAZARUS PROJECT, SMOTHER, THE AIR I BREATHE, PEACEFUL WARRIOR;
* Odd Lot Entertainment – THE SPIRIT, THE OPEN ROAD, SUBURBAN GIRL;
* Bandito Brothers – A leading commercial company; deals with producer Lucas Foster (MR. & MRS. SMITH, STREET KINGS, JUMPER) and Legendary Pictures (THE DARK KNIGHT, 300, BATMAN BEGINS);
* Vincent Newman Entertainment – THE BETRAYED with MGM; upcoming are PARADISE LOST, based on John Milton’s epic poem, to be directed by Scott Derrickson, and KUNG FU, with Warner Brothers;
* Filmbox is a boutique operation specializing in executive producing and handling worldwide sales of a carefully-selected and limited slate of quality, director-driven feature films in all genres and budget ranges;
* GreeneStreet Films – AWAKE, UPTOWN GIRLS, SWIMFAN, IN THE BEDROOM;
* The Radmin Company – Literary management company representing a range of sucessful writers and directors. Company’s producing credits include TWISTED, THE NEXT BEST THING, and THE FANTASTICKS.

What you should know about the 2009 CWA screenwriting competition:

* $45 (Enter by 2/28) Early (Jan 15-Feb 28th)
* $50 (Enter by 4/15) Regular (March 1-April 15th)
* $60 (Enter by 5/31) Late (April 16th-May 31st)
* $65 (Enter by 6/30) Final (June 1st-June 30th)
* Prelim Qualifiers Announced/Top 75 Each Category: August 24th
* Quarterfinalists Announced/Top 50 Each Category: August 31st
* Semifinalists Announced/Top 25 Each Category: September 14th
* Finalists Announced/Top 10 Each Category: September 28th
* Grand Prize Winner & Top Category Winners: October 15th
* Note: Optional 2-4 page Judging Highlights or 6-8 page comprehensive script analysis available for Creative World Awards entrants: $59/$159 (see the script analysis page for more details)

In addition to the prominent industry commitments, CWA screenplay contest winners will receive the following cash prizes:

* Grand Prize Winner $5,000 cash, plus prize package
* 4 Category Winners $500 cash, plus prize package
* 4 Category 1st Runners Up $250 cash, plus prize package
* Special 2009 Creative Recognition Award

Creative World Awards website can be accessed HERE

h1

2009 Kairos Prize for Spiritual Uplifting Screenplays – Entry open

July 3, 2008

2009 Kairos Prize for Spiritual Uplifting Screenplays

Deadlines and fees:
standard: October 27, 2008 – $50
late: December 1, 2008 – $75

More informations here

Guidelines and criteria here

Follow

Get every new post delivered to your Inbox.